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类型:喜剧片
主演:约吉·巴布 Sheela Rajkumar Sangili Murug
语言:泰米尔语
年代:未知
简介:在一场当地选举中,两名参选人都不择手段想要获胜,一名理发师意外掌握重权,成为决定选举结果的关键一票奇幻小说
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类型:动作片
主演:杰克·埃瑟里奇 辛迪妮·科瓦尔斯基 利亚姆·皮莱吉 艾玛·迈尔斯 布拉
导演:伊丽莎白·霍尔姆
语言:英语
年代:未知
简介:根据真实事件改编,一个充满活力的十几岁的女孩莎拉,她期待着她的18岁生日,这样她就可以离开她控制她的父亲唐(贾德·尼尔森)。但在她吹灭蜡烛 之前,唐把她关在他们家的地下室里,她的世界变得非常黑暗。当唐试图说服妻子艾琳(乔莉·费希尔饰)莎拉离家出走时,他会偷偷到地下室探望 她,折磨并强奸她,而艾琳和她的妹妹艾米(艾米丽·托普饰)继续住在楼上。随着时间的流逝,莎拉生下了几个孩子,独自在地下室里 。唐最终抚养了他们最小的儿子,把他留在了门阶上,艾琳发现了他和一张便条,便条上是莎拉写的,说那是她的儿子,她不能照顾他,艾 琳最终接受了唐关于莎拉的说法。在被囚禁禁了几十年之后,莎拉终于逃脱了,她的家人知道了20年来发生在他们脚下的毁灭性真相电影票房
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类型:动作片
语言:英语
年代:未知
简介: Memorial Day, 1993. When 13-year-old Kyle Vogel discovers the World War II footlocker belonging to his grandfather, Bud, everyone tells Kyle to put it back. Luckily, he ignores them. Although Bud has never talked about the war, he finds himself striking a deal with his grandson: Kyle can pick any three souvenirs, and Bud will tell him the stories behind each one. Memorial Day not only takes us on a journey into Bud's complicated wartime past, but also into Kyle's wartime future. As the two men share parallel experiences in combat, they come to realize how that magical day on the porch shaped both of their lives小说社交圈
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类型:剧情片
主演:Danièle Huillet Jean-Marie Straub
语言:法语
年代:未知
简介: Six unused scenes from WHERE LIES YOUR HIDDEN SMILE? One of the more priceless of the "bagatelles" in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame电影推荐
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类型:剧情片
主演:Vítezslav Vejrazka 米罗斯拉夫·马哈切克 Cestm
导演:法兰提塞·维拉席
语言:其它
年代:未知
简介: In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil科幻小说 The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.