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类型:理论片
主演:Cheyenne Löhnen Annine van der Meer
导演:Jan-Willem Breure Cheyenne Löhnen Anouk Pluijm
语言:英语
年代:未知
简介: The film explores the the scientific, historical, biological and social aspects behind the female sex drive and female gaze推理小说
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类型:日韩动漫
主演:木村亚希子 高桥美佳子 真田麻美 小野大辅 能登麻美子 子安武人 清水
导演:川崎逸朗 德本善信 酒井和男 金崎贵臣 后信治 山本天志 冈村正弘 粟井重纪 泉明宏 山内东生雄
语言:日语
年代:未知
简介: 世上有一种被称为Piatoris的神奇物质,可以在人的意志之下化梦想为现实。憧憬新时代能源的吉村护,满怀期待的想要进入东京Piatoris综合大学附属高等学校,然而等待他的是千人选一的入学考试……刚转学而来的吉村护,突然遭遇了2年级学生治安部长鹰栖绚子的告白:“亲爱的,和我……请和我交往吧!”。作为某位大政治家的孙女千金小姐绚子,是一个长相美丽性格能够击落彗星的少女,同时也是被称为“魔女Piatoreche”和“Piatoris的死天使”的新时代Piatoris能源使用者的天才。绚子的告白周围引发了从未有过的一片大混乱。两个人的奇妙的恋爱故事就这样轰轰烈烈地开始了…免费播放
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类型:动作片
主演:Alex Aiono 克利欧佩特拉·科尔曼 沙米尔·安德森 莱克斯·斯
导演:莫·麦克雷
语言:英语
年代:未知
简介:A couple living in a Los Angeles suburb is compelled to take dangerous actions when they discover the police officer that has just murdered an unarmed motorist is their next door neighbor影评
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类型:电影
主演:加里·奥德曼 艾米·汉莫 伊万杰琳·莉莉 格雷戈·金尼尔 米歇尔·罗德
导演:尼古拉斯·亚雷茨基
语言:英语
年代:未知
简介: 加里·奥德曼、艾米·汉莫、伊万杰琳·莉莉将主演新惊悚片《幻境》(Dreamland),号称是第一部聚焦国际“鸦片类药物危机”的院线片。已经开拍,将在蒙特利尔和底特律拍摄。  喜剧片 尼古拉斯·亚雷茨基(《套利交易》)执导及编剧,主线为三方故事:一个毒品走私犯安排了一场跨越美国和加拿大、涉及多集团的芬太尼走私行动;一个从奥施康定成瘾中恢复的建筑设计师发现她的儿子跟毒枭有联系事件背后的真相;一个大学教授与他的雇主被曝光的真相作斗争,这家与政府联系很深的药品公司试图把一种“非上瘾”止痛药投入市场。 亚雷茨基称,该片想表现“鸦片类药物滥用危机已经触及到社会的每个角落,影响是毁灭性的”。影片为加拿大-比利时合拍片,会在柏林的欧洲电影交易市场卖片。
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类型:美国剧
主演:杰森·拉尔夫 奥利维亚·泰勒·达德利 斯黛拉·麦薇 哈尔·阿普尔曼 莎
导演:克里斯·费舍
语言:英语
年代:未知
简介:Season 3 1. The Tales of the Seven Keys 2. Heroes and Morons 3. The Losses of Magic 4. Be the Penny 5. A Life in the Day 6. Do You Like Teeth? 7. Poached Eggs 8. Six Short Stories About Magic 9. All That Josh 10. The Art of the Deal 11. Twenty-Three 12. The Fillorian Candidate 13. Will You Play With Me? 推理小说
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类型:剧情片
主演:未知
导演:Mario Caserini Eleuterio Rodolfi
语言:意大利语
年代:未知
简介:由都灵的Ambrosio公司拍摄于1908年,这是Edward Bulwer-Lytton历史小说诸多改编中的第一部,这部影片大获成功,从此意大利电影就与历史奇观片(historical spectacle)画上了等号。最后九分钟的血色庞贝的毁灭,运用了染色法
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类型:喜剧片
主演:亚历克·吉尼斯 琼·格林伍德 彼得·芬奇 西塞尔·帕克 伯纳德·李 希
导演:罗伯特·哈默
语言:英语
年代:未知
简介: Father Brown tries to transport a historically important cross to Rome engaging in battles of wits and faith with a thief and pursuing policeman. The thief, named Flambeau (Finch), is a master of disguise and is elusive, as Father Brown pursues him and tries to convince him to abandon his criminal career拍摄花絮 During the making of the film, Alec Guinness was mistaken by a small boy for an actual priest. This episode appears to have played a part in Guinness's later conversion to Roman Catholicism.
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类型:剧情片
导演:刘易斯·艾伦
语言:英语
年代:未知
简介: Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police小说插画 This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.