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类型:剧情片
主演:Gila Almagor
语言:其它
年代:未知
简介: The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography小说润色 The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
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类型:电影
主演:萨姆·琼斯 Kimberley Pistone Tim Hughes
导演:埃迪·罗梅罗
语言:英语
年代:未知
简介: "为了搜集卡达贩卖毒品的证据,约翰·奎恩暗地寻访了数月。约翰的搭档汤姆被卡达抓住,约翰去营救他时,卡达残忍地杀死了汤姆。约翰回到美国空军基地,他的上司被卡达蒙蔽了双眼想将他送入大牢。他们怀疑是约翰接受贿赂,出卖了汤姆。第二次逃跑后,约翰发现汤姆的女儿妮基也在追杀自己,为父亲报仇。约翰说服妮基,二人联手要让真相大白于天下。在他人的帮助下,他们搜集到足够的证据,一举催跨了卡达的贩毒集团,一系列的律师受贿案也浮出水面,约翰与妮基过上了新的生活…" 小说月票榜
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类型:剧情片
主演:蒂姆·罗斯 Vass Anderson Madelenine Atha
导演:阿兰·克拉克
语言:英语
年代:未知
简介: Trevor is a 16 year old, sometimes-violent skinhead with no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. His social worker, Harry Parker, tries to do his best, but Trevor is only interested when there's something that he can get out of it. The authorities within the centre try to make Trevor conform to the norms of society, but he takes no notice, and would rather speak in a torrent of four-letter words and racial abuse恐怖片
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类型:剧情片
主演:马塞洛·马斯楚安尼 克劳迪娅·卡汀娜 皮埃尔·布拉瑟 里娜·莫雷利 托
导演:莫洛·鲍罗尼尼
语言:其它
年代:未知
简介: 故事发生在意大利的卡塔尼亚,安东尼奥(马塞洛·马斯楚安尼 Marcello Mastroianni 饰)生得一副英俊的面孔,是小镇里有名的花花公子。许多姑娘被他的传闻撩得心痒痒,慕名而来希望成为他的妻子。最终,安东尼奥选择了名为芭芭拉(克劳迪娅·卡汀娜 Claudia Cardinale 饰)的女子,两人携手步入了婚礼的殿堂电影 结婚之后,芭芭拉才发现自己的丈夫外强中干,实际上是个性无能,感觉受到了欺骗的芭芭拉决定离开安东尼奥。为了保全儿子的颜面,安东尼奥的父亲做了许多的荒唐事,并且最终死于非命,而安东尼奥却在无心插柳的情况下,成功的令家中的女仆怀孕。
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类型:剧情片
主演:Oliver Ackland Alex Russell Adelaid
导演:Ben C. Lucas
语言:英语
年代:未知
简介: 单一色调的八个游泳队员在同样单一色调的学校泳池破浪制片方 一对同母异父兄弟,大哥Zack是学校老大,他人脉广阔,在学校深受女生爱戴,不时发施号令, 要弟弟Darren代做化学家课;弟弟是典型电脑迷,时刻沉迷网络游戏及破解程式密码,弟弟不是一头乱发、佩带黑色大框架眼镜,以及衣衫不整以现代贬义称为的“宅男”,他是以兄长为校队游泳团队首领,成绩欠佳的游泳队员。爱接触阳光池水及精通电脑的男孩可谓文武兼备,他比不上哥哥的狡黠, 男人不坏,女人不爱,弟弟的木讷朴实不是女同学喜欢的类型,他遇见了倾心对象。 Xandrie的幼滑金丝、纯真笑容打动了Darren,他在哥哥搞的狂热派对找不到金发蓝衣美人,发放短讯联系,短句是只有年青网络族群才懂的文字,他在房间的监视器遍寻不获,遇到了意图借着酒精毒品弄得迷迷糊糊在电脑男房间胡天胡帝的男女,Darren挂心不知所在的Xandrie恐怕被男人下了药带到隐匿地方施暴,他害怕Xandrie遭遇 同一手段,他赶走了他们,是潜意识对抗利用酒及违禁粉末壮大胆子,麻醉常理,做出一发不可收拾劣行的校友。 单一色调的泳池竞赛选手不是八个,余下四个是校园欺凌的要角。
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类型:剧情片
主演:Anna Neagle Anton Walbrook C. Aubre
语言:英语
年代:未知
简介: Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far改编作品 The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor